备注:已完结
类型:爱情片
导演:滕文骥
语言:国语
年代:未知
简介: 1980年代,北京。外贸公司业务员田丹(高飞 饰)因引进设备出现问题,到火车站接技术员李非(张晓林 饰)时,意外遇见分别多年的女友苏小梅(陈冲 饰)。面对田丹的惊诧,苏小梅不为所动。李非对进口设备提出独到见解,副处长宋琪(智一桐 饰)对李非的见解不屑一顾,为找到原因,二人开始针对说明书展开运算。田丹再次见到苏小梅,两人亮开心扉,畅谈了分别后各自的生活。父亲田仲华(许还山 饰)发现儿子跟苏小梅的关系,从中作梗,他希望儿子娶副部长的女儿彭芳(屠茹英 饰),志趣的不同让田丹无法和彭芳交流。由于运算条件很差,田丹的运算遇到前所未有的困难,他硬着头皮求父亲疏通关节,父亲趁机提出了自己的要求.....电视剧推荐
备注:已完结
类型:动作片
主演:Cassandra Delaney Peter Ford David
语言:英语
年代:未知
简介: A young woman running a wildlife sanctuary in the Australian outback is in for trouble when she is confronted by three kangaroo hunters. Bored with killing kangaroos, they decide to kill the animals in the sanctuary, and when they see how attractive the owner is, they decide to have a little "fun" with her, too. Turns out that they may get a bit more "fun" than they bargained for获奖情况
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类型:喜剧片
主演:平·克劳斯贝 巴里·菲茨杰拉德 弗兰克·麦休 琼·希瑟 吉恩·洛克哈特
导演:莱奥·麦卡雷
语言:英语
年代:未知
简介: 故事发生在拥有着深厚历史的圣多明尼教堂之中,在这里执掌的,是名为基斯(巴里·菲茨杰拉德 Barry Fitzgerald 饰)的神父,基斯在这个职位上已经度过了四十五年的时光了。基斯年岁已高,思想早已经渐渐跟不上潮流,前来听他布道的信徒们越来越少,教堂很快就陷入了入不敷出的危机之中悬疑小说 就在这个节骨眼上,一位名叫欧曼尼(平·克劳斯贝 Bing Crosby 饰)的年轻神父被教会派来此地协助基斯。对于这个活泼风趣的年轻人,固执老成的基斯当然是看着一百个不顺眼,然而,欧曼尼依旧我行我素,用他温暖随和的风格,让每一个人如沐春风。随着时间的推移,欧曼尼在潜移默化之中改变了基斯的想法,并且帮助教堂筹得了重建资金,拯救了这座古老的圣坛。
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类型:电影
主演:艾弗利·布鲁克斯
导演:Keith Melton
语言:英语
年代:未知
简介: Mysteries of China captures one of the great archaeological events of the modern age, telling the story of Ancient China, the First Emperor, and the literal foundation of the China we know today. Through the lens of this groundbreaking discovery, viewers explore an ancient time when a fierce warrior brought together a warring nation and how an accidental discovery changed everything we know about China's past小说社交圈 The discovery of the Terracotta Warriors and the Tomb of the First Emperor offers a unique time capsule into the past, revealing many things about this great country, which tells a larger story about the growth of China into a true superpower. From modern China to ancient China and back again, Mysteries of China is a visual adventure, using beautiful aerial photography and cutting-edge time lapse techniques to reveal great majesty, tragedy, splendor, and growth in a nation that continues to excel quickly into the future.
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类型:爱情片
导演:罗伯特·马利根
语言:英语
年代:未知
简介:这是一部让人心动的电影,青春、友情、亲情、爱情……辛辣且甜中带苦。十四岁的丹妮与她的姐姐总是分享任何东西,但是当爱情来临的时候,同样渴望爱与被爱的姐妹成为对手。在经历了感情的甜蜜与痛苦之后,姐妹俩获得了人生的经验,明白了爱的生活哲理。 Robert Mulligan's graceful coming-of-age drama, set in rural Louisiana in 1957, explores the relationship change two sisters exp…儿童剧
备注:已完结
类型:动作片
导演:威廉·弗莱德金
语言:英语
年代:未知
简介: Four seedy criminal outcasts risk their lives in pursuit of redemption, both legal and moral, by driving unreliable trucks stocked with nitroglycerine through dangerous landscape to cap an oil well fire in a Central American banana republic. Featuring a trance-like score by Tangerine Dream and a visceral, astonishing performance by Roy Scheider, Friedkin's reinterpretation of Clouzot’s 1953 masterpiece is perhaps the best remake of all time and is among Friedkin’s most daring works. Three sequences alone –a chaotic car crash in Boston, the unloading of charred bodies in a Central American village, and the explosives laden trucks crossing a rickety storm-blown bridge – render Sorcerer a classic and retain their power to make audiences gasp. Released the same year as Star Wars, Friedkin's audacious masterpiece represents the braver road abandoned by the studio system小说语言
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类型:剧情片
主演:Artúr Somlay Miklós Gábor Zsuzsa Bá
语言:其它
年代:未知
简介: Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high小说出版 To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
备注:已完结
类型:恐怖片
导演:拉塞尔·穆卡希
语言:英语
年代:未知
简介: Jake Cullen (Bill Kerr) lives with his grandson in the Australian outback when a massive razorback boar attacks him, destroying his house and killing his grandson. He is accused of murder and his dignity is destroyed角色 Two years later, a wildlife reporter, Beth Winters, journeys to the outback to document the hunting of Australian wildlife to be used as animal food, processed in a large factory, but she is attacked by two deranged locals, Benny and Dicko, who leave her to be killed by the beast. Her husband, Carl, goes in search of her, and aids Jake Cullen and his young associate, Sarah Cameron, in hunting for the razorback responsible for her death. As they search for the creature, Benny and Dicko worry that they may be associated with the murder of Beth Winters, so they attack Cullen and leave him to be killed by the boar. Vowing revenge for his wife and his friend, Carl finds Benny and lowers him into a mineshaft, presumably killing him, and finds Dicko in the factory. Before he can kill him, the razorback surges and mauls Dicko to death before chasing after Carl and Sarah, where they face off inside the processing factory. Carl lures the Boar (having speared it with a pole) into pursuing him down a conveyor belt, at the end of which is a large industrial fan. Not able to stop itself, the boar falls to its demise onto the blade/fins killing it, while Carl rescues Sarah.
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类型:剧情片
主演:帕斯卡尔·普缇 安德丽·帕里西 雅克·夏里尔 洛朗·特兹弗 让-保罗·
导演:马塞尔·卡尔内
语言:法语
年代:未知
简介: Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy..在线观看 Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.