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类型:美国剧
主演:Felicity Ward Edith Poor 斯特恩·拉斯科普洛斯
导演:未知
语言:英语
年代:未知
简介:Australian comedian and actor Felicity Ward (“Wakefield,” “The Inbetweeners 2”) will portray Hannah Howard, the MD of packaging company Flinley Craddick in “The Office Australia.” In a post-COVID plot twist, Howard gets news from head office that her branch will be shutting down and that staff will have to work from home. She goes into survival mode, making promises she can’t k..导演
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类型:爱情片
导演:格奥尔格·玛斯
语言:其它
年代:未知
简介: “The Glory of Life” is inspired by the love story between Franz Kafka and Dora Diamant主题曲
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类型:喜剧片
主演:LeToya Luckett Kierra Sheard-Kelly
语言:英语
年代:未知
简介:Four sorority sisters reunite at a Black Greek Weekend celebration. But the past comes knocking on their door and strange and inexplicable things begin to happen, threatening to unearth the deadly secret that may tear them apart电视剧制片人协会
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类型:剧情片
导演:伊萨索·阿拉纳
语言:其它
年代:未知
简介: It’s summer and a group of young women head off for a week to a house in the country in order to rehearse a play. In the peace and quiet of their natural surroundings, which provide a refuge from the intense heat of the sun, the women go through the text and dress up in their ruched period costumes, while in easy conversation they share their secrets, and also have little adventures. This enchanting debut by Itsaso Arana, who co-wrote and starred in August Virgin (Official Selection – Competition, KVIFF 2019), provides an opportunity to stop for a moment, to breathe in the warm air and settle back in the open embrace of this company of women. After all, what kind of summer would it be without girls, a campfire, songs and a touch of magic动画片 源自:https://www.kviff.com/en/programme/film/63/40722-the-girls-are-alright
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类型:爱情片
主演:劳拉·邓恩 特里特·威廉斯 玛丽·凯·普莱斯 Margaret Wel
导演:乔斯·肖普拉
语言:英语
年代:未知
简介: Suspended between carefree youth and the harsh realities of the adult world, a teenage girl experiences an unsettling awakening in this haunting vision of innocence lost. Based on the celebrated short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, the narrative debut from Joyce Chopra features a revelatory breakout performance by Laura Dern as Connie, the fifteen-year-old black sheep of her family whose summertime idyll of beach trips, mall hangouts, and innocent flirtations is shattered by an encounter with a mysterious stranger (a memorably menacing Treat Williams). Winner of the Grand Jury Prize at Sundance, Smooth Talk captures the thrill and terror of adolescent sexual exploration as it transforms the conventions of a coming-of-age story into something altogether more troubling and profound爱情片
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类型:爱情片
主演:萨姆·德·格拉斯 Francelia Billington 埃里克·冯
导演:埃里克·冯·施特罗海姆
语言:英语
年代:未知
简介: Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"小说同人 The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.